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Analysis of Petals of Blood by Ngũgĩ wa Thiong'o

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 Summary of  petals of blood by Ngũgĩ wa Thiong'o 

 
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         petals of blood




Respected Kenyan creator Ngugi wa Thiong'o's tale Petals of Blood (1977) follows teachers Munira and Karega, and barmaid Wanja and her chief, Abdulla, as they adapt to the fast modernization of their rustic town, Ilmorog. The epic inspects the impacts of the Mau disobedience and the tradition of expansionism while scrutinizing the Kenyan government for duplicating the disparities of the frontier system. The title is taken from "The Swamp," a sonnet by Derek Walcott. 

The tale starts with a look at its closure: three outstanding Kenyans—an educator and two fruitful money managers—have passed on in a fire. Reviewer Godfrey, who accepts that the police power is "the creator of present day Kenya," examines. His doubt falls on the teacher Munira. 

From here, the novel moves back to the start of the story. Teacher Munira shows up in the peaceful town of Ilmorog, to take up a situation at the town school. Numerous instructors from the city have traveled every which way in Ilmorog, and the residents accept that Munira will not last. His new neighbors treat him with doubt, and few youngsters go to his classes. In any case, Munira becomes a close acquaintence with the proprietor of a neighborhood bar, Abdulla, a legend of the Mau resistance, who assists Munira with getting comfortable the town. Munira likewise becomes a close acquaintence with Joseph, a young man whom Abdulla has embraced. In the long run, Munira is acknowledged as one of Ilmorog's own. 

Another displaced person from the city shows up, Wanja, the granddaughter of a regarded Ilmorog senior. She starts working in Abdulla's bar, assisting him with growing the business. Before long, Munira ends up experiencing passionate feelings for her. Munira and Wanja have a short relationship, however Munira is hitched, and when Wanja finds this, she is harshly disillusioned. She leaves the town for a period; when she returns, she severs the issue. 

A previous associate of Munira's, Karega, shows up in Ilmorog to interrogate Munira concerning occasions at the school where both used to work. Karega winds up taking a situation at the school. That year, the town endures a long, dry summer and a helpless gather. Karega rallies the residents and leads them to Nairobi to request their Member from Parliament for help. 

It is a long excursion. In transit, Joseph becomes sick. When the locals show up in Nairobi, they attempt to find support for Joseph. A priest dismisses them, accepting they are poor people. At last, they are conceded to the place of a rich man, just to be gathered together and detained in the structure. They are exposed to addressing by the house's proprietor, Kimeria, a deceitful financial specialist who discloses to the townspeople that he and their MP are partners. Afterward, he coerces and assaults Wanja. 

The townspeople go to meet their MP in any case. They find that he is an unfilled revolutionary with no interest in their situation. Be that as it may, a Nairobi legal counselor checks out their case, propelling it through the courts and drawing in public press consideration. Subsequently, writers and noble cause laborers fill Ilmorog. 

At the point when the downpours at long last come, the locals celebrate with ceremonial moves. A resident named Nyakinyua brews an incredible customary beverage produced using the Thang'eta plant. Every one of the locals participate in the beverage. Under its impact, Karega admits to Munira that he engaged in extramarital relations with Munira's more seasoned sister, Mukami. Munira and Mukami's dad drove her away from Karega because of Karega's sibling's contribution in the Mau disobedience. This was the genuine justification Mukami's self destruction. 

A plane accidents in the town, wonderfully slaughtering nobody however Abdulla's jackass. Numerous individuals come to see the destruction, and Wanja recommends they gain by this travel industry by selling the Thang'eta drink in Abdulla's bar. The beverage turns into a famous fascination of the town, and sightseers start visiting just to attempt it. Before long, Wanja begins a bottling works making the beverage. 

Karega and Wanja begin seeing each other. Fuming with envy, Munira plans to have Karega terminated from the school. Karega is driven away from Ilmorog. 

The public authority starts constructing another road­—the Trans-Africa street—directly through the town. Laborers show up, and the town quickly extends. Before long it is a town, New Ilmorog. The ranchers of the old town are encouraged to fence their properties and home loan them, so they can demonstrate they own them. Banks offer them advances against their harvests to pay for this. At the point when Nyakinyua passes on, the bank moves to hold onto her property, so Wanja offers her bottling works to purchase Nyakinkua's territory. She opens a massage parlor taking into account the fresh debuts and is in the long run compelled to fill in as a whore herself. 

Karega returns, disclosing to Wanja that after his takeoff, he imploded into liquor addiction prior to getting a new line of work in an industrial facility, from which he has been terminated. Despite the fact that they actually love one another, they can't concur about how to live in the new Kenya, and Karega leaves once more. Munira attempts to revive their relationship, however Wanja basically requests that he pay. He does as such, and they engage in sexual relations. 

Wanja thinks of an arrangement to free herself of the ones who enjoy taken benefit of her. She welcomes them all to the house of ill-repute, including Karega and Kimeria. She will probably introduce Abdulla to them as her picked accomplice. Notwithstanding, Munira sees Karega show up and afterward leave once more; in an attack of envy, he burns down the massage parlor. Different men kick the bucket, while Wanja is hospitalized. 

Auditor Godfrey accuses Munira of fire related crime and Munira is detained. 
 



Analysis of characters in Petals of Blood

Analysis of the character of  Munira

Munira is the fire playing criminal the police look for,  He is the teacher that goes to Ilmorog to teach in its broken down and haggard school, and was accused and detained by Auditor Godfrey for arson 


Analysis of the character of Wanja

Granddaughter of Nyakinyua. As experienced barmaid who flees her past in the city. She falls in love with Karega, although she is still coveted by Munira. She also sleeps with Abdulla because of her reverence for his actions in the Mau Mau rebellion. An industrious barmaid, she helps Abdulla's shop to become successful, and also sells Theng'eta. She later becomes a prostitute and runs her own brothel before being injured in Munira's arson attack. 



Analysis of the character of Abdullah

As the novel opens Abdullah, a former freedom fighter who has lost a leg in the struggle for Kenyan independence, runs a duka, or shop, where he sells provisions and drinks to the townsfolk of Ilmorog. Like the other protagonists, Abdullah has come to Ilmorog to flee his former life, its painful memories, and its responsibilities. He had been one of the bravest and most active participants in the movement for independence, joining the Mau Mau rebellion and fighting in the forest with the charismatic leader Ole Masai. During the uprising he and Karega's brother, Nding'uri, had been betrayed by Kimeria. Abdullah managed to escape, but Nding'uri had been hanged. After independence, Abdullah returns to his hometown, Limuru, expecting to see the fruits of his struggle—the redemption of the land for the people.

Analysis of the character of Karega 

 Young man who works as a teaching assistant at Munira's school before becoming disillusioned and heading for the city. After the trip to Nairobi, he becomes enamoured with socialism, and starts to educate himself on its principles and on the law. However, he later becomes disillusioned with the effects of education, and how apt it is in the struggle for liberation. As a youth, he dated Munira's sister who subsequently committed suicide; this was unknown to Munira until Karega reveals it to him and to others after having drunk Theng'eta. 


Analysis of the character of Nyakinyua 

 The village's most revered woman, and the grandmother of Wanja. She performs all of the traditional ceremonies in the village. At first she is highly sceptical of Munira's arrival, believing that he will flee the village like his predecessors. After her death, Wanja sells her business to save Nyakinyua's land from the banks and also uses the proceeds to start a brothel. 

Analysis of the character of Kimeria 

 Ruthless businessman who is part of the new Kenya elite. Has an interest in Ilmorog for business purposes, and had a previous relationship with Wanja. As the villagers travel to Nairobi to meet with their politician, Kimeria holds Wanja hostage and rapes her. 

Analysis of the character of Chui 

 a schoolboy at the prestigious, previously European Siriana school, he leads a student revolt. However, when he returns to lead the school, he enacts an oppression far greater than was present during colonial rule. He later become one of the new Kenya elite, and is involved in business dealings with both Kimeria and Nderi wa Riera. 

Analysis of the character of Nderi wa Riera 

 the local politician for Ilmorog's district, he lives and works in Nairobi. He is a demagogue who does not listen to the appeals of the villagers when they meet him. Rather, he is interested in Ilmorog merely for business, and is in league with Kimeria. With Kimeria and Chui, he is a director of the widely successful Theng'eta Breweries.

 


Petals of blood themes

The theme of Alienation of the Land in petals of blood themes

Petals of Blood is an overtly political novel, and the author's intention is to present readers with a portrait of the economic, social, and other ills of post-independence Kenya. As he makes clear in his writings, Ngugi does not think that his role as a writer is to change society, because only people can change society. However, as he says in a 1979 interview in African Report, he thinks writers can point out where things are wrong and also that "fiction should embody the aspirations and hopes of the majority—of the peasants and workers.’’ Clearly the main concern in Petals of Blood is to draw attention to the plight to the dispossessed peoples of Ilmorog, and by extension, of Kenya. The novel shows that after decades of colonial rule, many of the poorer segments of Kenyan society have been alienated from the land, the source of life for centuries. Even after independence, this separation continues. Karega's mother, Miriamu, is forced to work as a laborer on Munira's father's land. The villagers are helpless in the face of a drought that threatens their life. The landscape of Ilmorog changes forever when the Trans-Africa Highway is built, dividing the village into two. With the transformation of Ilmorog to an industrial center, peasants are forced to pawn their land to obtain bank loans, which they cannot pay, and their ancestral homelands are seized by financiers. The land of the people becomes just another commodity in the hands of economic rulers as Ilmorog is transformed
from a bucolic rural village to a polluted industrial development.


The theme of Corruption in petals of blood

One primary underlining theme in Petals of Blood is the failure of the ruling Kenyan elite to adequately meet the needs of the people. After the new postcolonial governments come to power, the leaders maintain their connections with the outgoing colonizers, thus marginalizing the everyman. In the novel, the elite are portrayed as both government officials and businessmen who violate the villagers of Ilmorog in both passive and aggressive ways. The corrupt system acts like a chain—in the novel, when the government's lawyers declare that they have solved the murder cases, the people of Ilmorog realize that as long as the corrupt system stays in place and continues churning out corrupt individuals, there will be no change.[11]
Ngugi makes the dichotomy between the villagers (the honest working class) and the elite (corruption) most visible in the speech that Nyakinyua gives before the villagers, which motivates them to make the trip to Nairobi. She says, "I think we should go. It is our turn to make things happen. There was a time when things happened the way we in Ilmorog wanted them to happen. We had power over the movement of our limbs. We made up our own words and sang them and we danced to them. But there came a time when this power was taken from us.... We must surround the city and demand back our share" (pp. 115–116). However, along their way, they are unjustly detained by Kimeria the businessman, who reveals that he is colluding with the MP, and who afterwards rapes Wanja.



The theme of Capitalism in petals of blood 

Capitalism is decried in Petals of Blood, with the new Kenyan elite portrayed as controlled by the 'faceless system of capitalism'.[12] The everyman loses out to capitalist endeavours, and is essentially exploited by the new Kenyan elite. Farmers are forced to mark out their lands and mortgage them with loans linked to the success of their harvest; as the quality of the harvests waver, many are forced to sell their land, unable to match their loan repayments. Thang'eta is another symbol of capitalism. Taken from a drink that Nyakinyua brews in a traditional ceremony, it is soon marketed, and becomes extremely popular. Wanja, who introduces the drink to Abdulla's bar, is then exploited by big business who forces her to stop her Thang'eta operation. Neither she nor Munira, who creates the slogan, receive the fruits of their labour. Originally a drink used to help people relax and escape their current problems,[13] it becomes 'a drink of strife'.[14]
Cities are portrayed as places where capitalism flourishes and are contrasted strongly with the village of Ilmorog. In its pursuit for the modern, Kenya adopts capitalism at the expense of tradition as the city begins 'to encroach upon and finally swallow the traditional and the rural.'[15] As time progresses, Ilmorog changes vastly, as do its inhabitants. With its modernization, influenced greatly by capitalism and the chance to increase trade, Munira reflects on these changes and how they link with capitalism, saying that 'it was New Kenya. It was New Ilmorog. Nothing was free.'[16]

The theme of Land in petals of blood 

Agriculture is an important theme in Petals of Blood, most notably in the town of Ilmorog, an isolated, pastoral community. After modernization, the farmers lands are fenced off and ultimately seized when they cannot repay their loans. Although none of the main characters lose their land in this way (Wanja, however, sells her family's plot), it is significant in that Kenya recreates what happened during colonial rule: the loss of land and subsequent desire to reclaim it was "the central claim" for those who rebelled against the settlers.[17]
The notion of land and fertilisation is often linked to Wanja, who is seen as the embodiment of these concepts.[17] As she is portrayed as "the symbol of the nation",[18] the loss of her land to the new Kenyan elite is an important parallel with Ngugi's depiction of Kenya. Land is also linked to Kenya itself, with Ngugi suggesting that anyone who sells their land is a traitor.[19]


The theme of Education in petals of blood 

Education is often depicted cynically in Petals of Blood. Munira is a teacher, but lacks strong abilities to guide his pupils, instead preferring to stand back and not to assert any of his own beliefs. He rejects the claims of others that the children should be taught more about being African, instead preferring that they be taught politics, and things which are "fact". Two of the three "betrayers of the people", those who are ultimately murdered, are also educators; they are untrustworthy, and depict the education system as a "problematic institution" in independent Kenya.[20]

Although there is a brief suggestion that education does provide hope, as Joseph succeeds academically at Siriana, it the education system as a whole which is criticized. The notion of education as self-liberating is critiqued, as Joseph's success is still within the Siriana school, previously a bastion of "European" education.[21] In a more political sense, Karega's self-education causes him to doubt his initial belief that education was a tool to gain liberation; originally taken in by the lawyer's socialist rhetoric, Karega's dealings with education ultimately leave him disillusioned.[22]




Questions and Answers from petals of blood


Question : How does Ngugi portray Christianity in the book Petals of Blood? 

Answer

Although the critique of Christianity in the novel is not as overt as are its social and political indictments, it seems clear that Ngugi means to point out the hypocrisy that attends many forms of Christian religious practice. There are no sympathetic portrayals of Christians in the novel. Ezekiel Waweru and the Reverend Jerrod Brown are seen as using Christianity to further their own material interests. Both have adopted the Christianity of the colonial masters and perpetuate the inequality of their system of values. When the villagers first encounter Reverend Jerrod Brown they assume he must be a white European because of his name. He offers them no help with the sick child, Joseph, nor does he give them food, and tells them they need only eat "the food of the spirit, the bread and fish of Jesus." Waweru has adopted the Christianity of the missionaries because it is more profitable for him to do so, but shows no Christian compassion to his son, daughter, or the laborers on his land. The Christian Lillian is also presented as a crazed fanatic who ignores the problems of this world by emphasizing life in the next, a strategy which she eventually gets Munira also to adopt. 



Question : How does Ngugi present wanja and her significances in petals of blood

Answer 

Wanja is the central female character in the novel, a bargirl-turned-prostitute who is one of the four murder suspects. She moves to Ilmorog to escape life in her native Limuru and Nairobi, where she worked as a bargirl, and join her grandmother on her plot of land. As a schoolgirl Wanja was seduced by the wealthy Kimeria, who abandoned her when she became pregnant. During the course of the novel she reveals that she disposed of her baby in a drain, and has carried the guilt of her action with her for many years. In Ilmorog Wanja works at Abdullah's shop and eventually begins a successful distillery. When her business is not allowed to continue she makes herself into a highclass prostitute servicing the urban elite who have transformed Ilmorog. Wanja is at once an innocent and wise woman, a temptress and protector of the downtrodden. She is a woman of action, as she convinces Abdullah to send Joseph to school and rescues her grandmother's ancestral land from being repossessed by the banks. She is intelligent and remarkably resilient, and has a sensuality and physi cal presence that makes her desirable to all the principle male characters of the novel. She also exerts a strong psychological influence on the villagers of Ilmorog, and they assume that her name comes from "Wanjiku," the mother of the nine clans of the Gikuyu people. Her name also means "stranger or outsider," which is appropriate as she moves from city to city and town to town trying to find her place in the New Kenya.



Question : Who is the antagonist in Petals of Blood by Ngugi wa Thiong'o? 

Answer

Cambridge Fraudsham is the antagonist in the novel, Petals of Blood. 



Questions : What is the setting of Petals of Blood?

Answer

 Most of the action in Petals of Blood takes place in the north-central Kenyan town of Ilmorog.

Petals of Blood's narrative style uses multiple points of view to weave together the stories of the protagonists and those around them.   




Who is the protagonist in Petals of Blood by Ngugi wa Thiong'o? 

Answer

Abdullah is the protagonist in the novel, Petals of Blood.